On Gold Mountain Questions for March 20

In her article “Race, Gender, and Intercultural Relations: The Case of Interracial Marriage,” Peggy Pascoe comments on factors influencing whether native, Asian, and white Hawaiians decided to intermarry:

“[I]ndividual men and women’s decisions to cross racial boundary lines were often rooted in conceptions of gender relations. Consider, for example, the Hawaiian woman who told Romanzo Adams why so many Hawaiian women married non-Hawaiian men. “The Hawaiian men,” she said, “are not steady workers and good providers. The Chinese men are good to provide, but they are stingy. The white men are good providers and they give their wives more money.” (1) Her comment, of course, expresses race and class hierarchies, but both of these hierarchies are rooted in comparative definitions of manhood: note that she emphasized above all the desire to marry men who fit the role of the “good provider.” In choosing men they hoped would fit this role over men who may not even have aspired to do so, Hawaiian women shaped gender relations by propting a particular definition of manhood.  Much the same might be said of the post-World War II white soldiers who married Japanese women because, they said, Japanese women were more “feminine” than white women. (2) (3)

This passage illustrates some of the challenges, also defined by Pascoe, faced by women’s historians writing multicultural history:

  1. the challenge of exploring the interconnections between gender and race relations,
  2. the challenge of learning to see race, as well as gender, as a social construction, and
  3. the challenge of choosing a definition of culture suitable for writing intercultural history. (4)

Questions

1. Look back at the interracial marriages in On Gold Mountain, as well as parental and family reactions to them. What assumptions were the parties involved—the couples and their parents in particular—making about race and gender?  Be specific.

2. How did individual See family members’ attitudes about intermarrying change over time?  Why do you think they shifted as they did across the generations?  Did anyone’s attitudes surprise you?

3. In your opinion, does Lisa See, as an author, meet the three challenges defined by Pascoe? Does she succeed in one or more, but fail in another? Explain.

 

 

(1) Romanzo Adams, Interracial Marriage in Hawaii: A Study of the Mutually Conditioned Processes of Acculturation and Amalgamation (New York: Macmillan, 1937), 48.
(2) See Spickard, Mixed Blood, chap. 5, pp. 123-157.
(3) Peggy Pascoe, “Race, Gender, and Intercultural Relations: The Case of Interracial Marriage,” Frontiers: A Journal of Women’s Studies 12.1 (1991): 8-9.
(4) Pascoe, 6.

On Gold Mountain questions for March 13

Image provided by Metro Transportation Library and Archive, and used under a Creative Commons license

1. On Gold Mountain begins by focusing largely on the story of Fong See. Is Fong See the most important person in the book thus far, or are the stories of other people more important to the narrative and our understanding of the family’s experiences?

2. Larry Sells and Lisa See have noted that “While many people initially read On Gold Mountain because they’re interested in learning about the Chinese-American experience, they often become more attached to the stories of the white women—Ticie, Stella, and Carolyn—who married into the See family.” Do you think this was Lisa See’s intention? Do you think See herself is more fascinated by Ticie’s and Stella’s experiences than those of her other relatives? (Explain your answers.) What are the opportunities and liabilities engendered by readers’ fascination with the white women in the story?

3. Is there a moment when the See and Fong families became more American than Chinese? If so, when? (Consider this question from three perspectives: their own conceptions of their identities, Lisa See’s implied ideas about identity, and your own estimations.) What decisions did individual members of the family make that made them lean more toward one culture than the other?  Did gender seem to influence their understanding of ethnicity in the western U.S.?

4. We have spent a significant amount of time this semester discussing photographs. How do the photographs included in On Gold Mountain influence your understanding and perception of the Fong and See families? Explain.

5. In 2001, the Smithsonian Institution put together an exhibition inspired by On Gold Mountain. The 11-year-old digital manifestation of this exhibition remains online. Does the information presented in this exhibit capture the most important aspects, in your opinion, of the Fong and See families’ experiences as Lisa See presents them?

6. Technology now allows for considerably more flexibility in designing online exhibits. Imagine the Smithsonian commissioned your group to revise the On Gold Mountain exhibition website.  What suggestions would you make?  Consider exhibition content as well as technology and format.

Questions for March 6 – On Gold Mountain

1. In your small groups, create a document with three columns, one of which lists experiences of white women in the U.S. west (based on On Gold Mountain and your previous knowledge) between 1848 and 1920, one that lists experiences of Chinese women in the same region and time period, and one that lists the experiences of white women who married into Chinese families or girls and women who were the interracial children of Chinese and white parents in the same era and region.  List challenges as well as opportunities.  Be specific.

2. What questions do you have about the experiences of Chinese women and men in areas of the Western U.S. not covered in On Gold Mountain?  Make a list of questions, then choose one to research in your small group.  Post your question, a tentative answer (or two) to it, and links to resources in the comments of this blog post.